Current testing methodology is v1.2
December 24, 2020
$34.99
0.106 oz
4.06 x 2.92 x 1.3 in
KZ’s approach with their releases has been superb as they’ve started to explore and experiment with different types of technology, with the KZ DQ6 being one of its fruitful results. Another example of this new technology would be the KZ ZSA, which features a dual driver setup between a Balanced Armature Unit and a Dynamic Driver Unit.
The KZ DQ6 has a combination of two 6mm Magnetic Dynamic Units and a 10mm Dual Magnetic Dynamic Unit on each side, according to their website. Honestly, I hope this actually works and isn’t just some type of wordy tech gimmick by KZ.
Let’s find out in this detailed review and see if it’s a good grab.
KZ DQ6
A balanced and great-sounding IEM with pleasing aesthetics
TL:DR;
The KZ DQ6 is an IEM from KZ, which is famous for its budget releases that come with a surprisingly significant number of specs. A peculiar but not entirely unheard-of type of technology comes with the DQ6: a three-unit dynamic composed of two 6mm Magnetic Dynamic Units and a 10mm Dual Magnetic Dynamic Unit on each earbud.
It has a balanced to V-shaped sound signature with some emphasis on the treble region. A bit of shortcomings, especially with sibilance, may be present while using the DQ6 but the other aspects, like technicalities, definitely make up for what it lacks.
For a price of around $30, the KZ DQ6 is a great-sounding pair of IEMs.
The Specs
- Driver: 2x 6mm Magnetic Dynamic Driver + 10mm Dual Magnetic Dynamic Driver
- Cable: Detachable 0.75mm 2-pin
- Cable Length: 125±5cm
- Frequency: 20 – 40000Hz
- Impedance: 24Ω
- Sensitivity: 112dB
What’s in the Box?
- KZ DQ6 earphones
- 3x Pairs of Silicone Ear Tips
- 0.75mm 2-Pin Detachable Cable
- User Manual
Stuff I like
- Rugged build quality
- Fun sound signature
- Worth the price
- Chef’s kiss sound isolation
Stuff I like less
- Sibilance and peaks
- Cheap quality of ear tips and cable
Where to get it
Comparable products to consider
If you’re looking for an IEM with more than 2 drivers, the KZ ZAR might be the right pair. It contains 8 drivers with a U-shaped sound signature.
The KZ EDA Balanced Edition is a part of the 3-in-1 package of the KZ EDA with different tunings. It’s priced around $17 and it has a warm V-shaped sound signature with a noticeable boost on the bass region.
First Impressions
The KZ DQ6 has been sitting at my desk for a few weeks now after I bought it at an online shop in my country. My unboxing experience with KZ has always been the same, as they’ve been consistent with their packaging.
The packaging that the DQ6 came with is the typical white KZ box that shows an image of the IEM on the front and the specifications on the back.
Opening the box shows the DQ6 resting on some type of foam tray and underneath it, you’ll find the included cable, ear tips, and the user manual. I’m not surprised that this one has few inclusions to offer as KZ is known for their straightforward packaging.
I immediately noticed the heaviness of the DQ6 the first time I held it and at first glance, you wouldn’t think it’s from KZ because of its distinct appearance from their previous IEMs.
The KZ DQ6 comes in two color choices: silver and gray. I got myself the silver because most of the IEMs in my collection are dark-colored.
Build Quality
For its price of around $30, the build quality and appearance of the KZ DQ6 stand out from other budget IEMs. If you’re going to ask me, I’d say that it should be priced around $50 to $80.
The included cable is a silver-plated copper wire covered with translucent plastic. It’s not tangle-prone or sticky, and it has a wire splitter made of hardened plastic.
The KZ DQ6 scores a zinc-alloy faceplate with the KZ logo engraved on its surface and, of course, a vent. Another thing to note is that the faceplate can be a fingerprint magnet, which isn’t that noticeable but if you’re a keen observer, this may bother you.
The nozzles on each side have a lip to keep the ear tips in place and it’s made of metal but with a different material from the faceplate.
Meanwhile, the shell of the DQ6 is mainly made of resin and has a resemblance with the KZ ZAR because of the protrusion it has.
The transparent shell exposes the three dynamic drivers but I’m still skeptical about it with the way it was put and glued inside. It feels like it doesn’t contribute anything to the sound quality of the IEM as it doesn’t go directly to the ear canal, unlike the main driver.
Fit and Comfort
Despite the DQ6’s heaviness, wearing them doesn’t feel much and the bump in the shell kind of gives better security for my ears. The ear hooks on the cable were a bit tight but it somewhat follows my ear shape as I use this IEM more.
I also changed the ear tips to my preferred ones, as the included tips were a bit off for me. I’d suggest to everyone who got the KZ DQ6 do a tip roll as the provided ones aren’t that good.
Overall, the fit and wearing comfort of the DQ6 are pretty average and its only issue lies in its silicone ear tips. However, my comments here are subjective and may only apply to me as the fit still depends on the user’s ear size and shape.
Sound Quality
At first, I thought that the KZ DQ6 was going to be a bass cannon because of its triple-dynamic drivers. I guess I was wrong about that part. The DQ6 exhibits a balanced sound signature, meaning that every region contributes fairly to the overall sound of the IEM.
The bass region has a nice impact and has an authoritative sub-bass with a fast response. The midrange is slightly recessed and gives a bit of a V-shaped feeling to the sound signature. Meanwhile, the treble is warm but suffers from peaks at around 5kHz up to 7kHz.
Overall, the sound quality of the DQ6 is an absolute banger for a price of around $30.
Bass
For the bass region, the KZ DQ6 presents a deep and clean sub-bass. The overall bass frequency is quite balanced according to my observation, but there’s a little emphasis on the sub-bass. Also, the speed of the bass region is okay but could be better.
The sub-bass has a decent natural note weight and nice rumble, particularly when needed, giving the overall sound a solid presentation. Even though the sub-bass isn’t elevated, it still sounds authoritative.
While being sub-bass prominent, the mid-bass of the DQ6 didn’t fail to serve its purpose. The mid-bass is a little tame but it does pack a punch.
There’s some mid-bass bleed but it isn’t much of a problem with the DQ6 as it gives the midrange a warm type of profile.
Midrange
The midrange of the KZ DQ6 is slightly recessed but this doesn’t cause much of an issue within the mids, as they’re not neglected within the presentation.
Male vocals sound full-bodied and warm with a good amount of weight but a little behind the female vocals, which benefits the emphasized upper-mids. Overall, the vocal presentation of the DQ6 is smooth without being overly thick.
For the instruments within the midrange, acoustic guitars sound full and have decent tonality unlike violins, which have good presence but lack tone accuracy. On the other hand, despite the minor shortcomings of the midrange, I can’t deny that it has an okay resolution and instrument separation that compensates for what it lacks.
Treble
I have a love-hate relationship with the treble of the KZ DQ6, as it sounds lovely but suffers from issues. The highs have a nice extension that isn’t forced and doesn’t suffer from KZ’s usual problem with treble, which is the metallic timbre.
Talking about the treble presentation, I’d say it’s not that clear, but it is smooth and rhythmic and still provides a good amount of detail. Instruments like cymbals and snare drums are produced with energy and crispness.
The main problem with the highs is the sibilance, which kind of throws me off even though I’m not treble-sensitive. Regardless, the treble is still an excellent contributor to the sound presentation of the DQ6.
Technicalities
The technicalities are where the DQ6 made me realize that this is a budget earphone, especially within the sound staging. The sound staging of the DQ6 has more width than height; This is probably because of the vent on the faceplate. Separation also gets the job done, as it appears to be clean without sounding too unnatural.
Conclusion
I think KZ pulled off another great-sounding unit with the DQ6. It’s not perfect but for its price, it’s a good deal. While I’m still skeptical whether the triple-dynamic drivers actually work or not, I think that the DQ6 still sounds great.
In addition, it has a solid build quality and an attractive overall appearance that’s aesthetically pleasing. For its budget price, I’d recommend that you give the KZ DQ6 a try.
Shaik, a college student, part-time musician, and proud fur parent. Currently pursuing his degree in architecture.
As a part-time musician, Shaik enjoys expressing his self creatively through music. Whether it's writing original songs or performing covers, music is a significant part of Shaik's life
This post was last updated on 2025-01-13 / Some images from Amazon Product API & some links may be affiliate links which may earn us a commission from purchases.